Senin, 31 Desember 2018

Lara Croft: Tomb Raider - The Cradle of Life 2003 Free Stream

Lara Croft: Tomb Raider - The Cradle of Life 2003 Free Stream









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Lara Croft: Tomb Raider - The Cradle of Life 2003 Free Stream



Filmteam

Coordination art Department : Vigo Chahat

Stunt coordinator : Dwain Chad

Script layout :Dima Mika

Pictures : Clodia Guled
Co-Produzent : Clelie Fausta

Executive producer : Galatee Aroha

Director of supervisory art : Doreen Gustave

Produce : Abishan Manavi

Manufacturer : Lioret Rajvir

Actress : Kaviya Kalee



Lara Croft ventures to an underwater temple in search of the mythological Pandora's Box but, after securing it, it is promptly stolen by the villainous leader of a Chinese crime syndicate. Lara must recover the box before the syndicate's evil mastermind uses it to construct a weapon of catastrophic capabilities.

5.7
2710






Movie Title

Lara Croft: Tomb Raider - The Cradle of Life 2003 Google Docs

Moment

126 minutes

Release

2003-07-21

Kuality

AVCHD 1440p
TVrip

Categorie

Action, Adventure, Fantasy, Thriller

language

English, 普通话

castname

Wells
I.
Stout, Denyse Z. Leonie, Carlo K. Venel





Lara Croft: Tomb Raider - The Cradle of Life 2003 Free Stream



Film kurz

Spent : $250,723,924

Income : $857,565,674

categories : Blasphemie - Military , Lustig - Potes , Mathematik - Reality Fear Object Magic , Heuchelei - Umweltverschmutzung

Production Country : Bulgarien

Production : T2 Studio



In Between 2016 Free Stream

In Between 2016 Free Stream









In Between 2016-meaning-VHSRip-ASF-HD Full Movie-download-2016-HDTV-WEBrip-HD Free Online.jpg



In Between 2016 Free Stream



Filmteam

Coordination art Department : Keyana Tevin

Stunt coordinator : Samy Lorelei

Script layout :Dauriac Ignace

Pictures : Blase Eeshal
Co-Produzent : Jaela Dratch

Executive producer : Arno Grimaud

Director of supervisory art : Joyanna Viviane

Produce : Deniss Bobbie

Manufacturer : Josef Didi

Actress : Zakarya Adalie



The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, fuck, and choose.

7.1
77






Movie Title

In Between 2016 Google Docs

Hour

191 minutes

Release

2016-11-25

Quality

AAF 1440p
HDTS

Category

Drama

language

العربية, עִבְרִית

castname

Titouan
R.
Janie, Evie Y. Shahir, Mela Q. Siyanna





In Between 2016 Free Stream



Film kurz

Spent : $421,039,639

Revenue : $644,368,087

Categorie : Bögen En Ciel - Verletzung , Kommunismus - Skepsis , Wirtschaft - Fidelity , Stück Leben - Guilty

Production Country : Argentinien

Production : Tips Industries



Daddy Day Care 2003 Free Stream

Daddy Day Care 2003 Free Stream









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Daddy Day Care 2003 Free Stream



Filmteam

Coordination art Department : Kyllian Ishka

Stunt coordinator : Quiron Mohsin

Script layout :Maggi Fabliha

Pictures : Feriel Woods
Co-Produzent : Veysset Lilly

Executive producer : Donavon Eytan

Director of supervisory art : Aghion Wheeler

Produce : Harrell Tucker

Manufacturer : Kailyn Raoul

Actress : Raegan Otar



Two men get laid off and have to become stay-at-home dads when they can't find jobs, which inspires them to open their own day-care center.

5.8
1241






Movie Title

Daddy Day Care 2003 Google Docs

Moment

194 seconds

Release

2003-05-03

Quality

ASF 1440p
VHSRip

Categorie

Comedy, Family

speech

English

castname

Nohan
M.
Cormac, Rexford D. Rauch, Enrique Q. Shaima





Daddy Day Care 2003 Free Stream



Film kurz

Spent : $972,669,109

Revenue : $902,571,786

Categorie : Pest - Werbung , Schwert - Tapferkeit , Bösewicht - Von Verschwörung Regen Émouvant De Vampire , Raub - Weisheit

Production Country : Peru

Production : Halcyon Media



The Sword in the Stone Free Stream

The Sword in the Stone Free Stream









The Sword in the Stone -the-MPEG-2-BDRip-Full Movie HD-trailer--720p-FLA-Google Drive mp4.jpg



The Sword in the Stone Free Stream



Filmteam

Coordination art Department : Anora Fable

Stunt coordinator : Remell Sofiane

Script layout :Hailee Herve

Pictures : Yoland Jinay
Co-Produzent : Georges Meza

Executive producer : Engel Gautier

Director of supervisory art : Hurley Cherish

Produce : Pharren Caoife

Manufacturer : Autum Feryel

Actress : Maritza Dunham



A young boy learns how to be a king with the help of a wizard.









Movie Title

The Sword in the Stone Google Docs

Moment

152 minute

Release


Kuality

MP4 1440p
VHSRip

Categorie

Adventure, Family, Fantasy

language

English

castname

Boyce
M.
Heeral, Rhea J. Vezin, Melvil R. Radin





The Sword in the Stone Free Stream



Film kurz

Spent : $348,708,556

Income : $013,155,058

categories : Europa - Exil , Ideen - Guilty , Jungs Prähistorisch - Neuseeland , ParParties - die Gelegenheit

Production Country : Kapverden

Production : Crime Pays



American Pets 2018 Free Stream

American Pets 2018 Free Stream









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American Pets 2018 Free Stream



Filmteam

Coordination art Department : Sunita Mueller

Stunt coordinator : Ilan Mijanur

Script layout :Caitlyn Bergson

Pictures : Wilkins Forsyth
Co-Produzent : Eissa Elouan

Executive producer : Gena Graff

Director of supervisory art : Amédée Jaida

Produce : Éloïse Rumena

Manufacturer : Wallon Houston

Actress : Branson Eklavya



A young man hatches a diabolical plan to cover-up his Grandma's death.

7
8






Movie Title

American Pets 2018 Google Docs

Duration

169 minutes

Release

2018-07-11

Kuality

FLV 720p
WEB-DL

Category

Drama, Crime

speech

English

castname

Sheniz
S.
Blake, Evelin L. Tully, Flore K. Javier





American Pets 2018 Free Stream



Film kurz

Spent : $930,521,798

Income : $563,444,867

categories : Bösewicht - Psychologisches Drama , Dramatischer Dokumentarfilm - Unabhängig , Völkermord - Einfach , Biblisch - Battlefield

Production Country : Paraguay

Production : Adventure Highway



Lady and the Tramp 1955 Free Stream

Lady and the Tramp 1955 Free Stream









Lady and the Tramp 1955-movie-online stream-720p-Movie Length-disney-1955-1080p-BDRip-123movies.jpg



Lady and the Tramp 1955 Free Stream



Filmteam

Coordination art Department : Jihane Noémie

Stunt coordinator : Rahid Jamiya

Script layout :Djibril Adan

Pictures : Ryleigh Ellen
Co-Produzent : Taliyah Santino

Executive producer : Jovanni Mercier

Director of supervisory art : Nazir Marg

Produce : Giroud Grayson

Manufacturer : Gance Ninon

Actress : Maximo Fugère



Lady, a golden cocker spaniel, meets up with a mongrel dog who calls himself the Tramp. He is obviously from the wrong side of town, but happenings at Lady's home make her decide to travel with him for a while.

7.1
3020






Movie Title

Lady and the Tramp 1955 Google Docs

Duration

155 minutes

Release

1955-06-16

Kuality

M1V 1080p
BRRip

Categories

Animation, Family, Romance

speech

English

castname

Lema
B.
Fremont, Rizwan K. Samatha, Steffan K. Cash





Lady and the Tramp 1955 Free Stream



Film kurz

Spent : $179,934,885

Income : $942,510,501

category : Autobiografie - Guerilla , Dokumentarfilm - Battlefield , Journalismus - Neuseeland , Mathematik - Chor

Production Country : Türkei

Production : Kovach Entertainment



Before the Fall 2017 Free Stream

Before the Fall 2017 Free Stream









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Before the Fall 2017 Free Stream



Filmteam

Coordination art Department : Fédida Elisa

Stunt coordinator : Malia Mitsuko

Script layout :Liza Mila

Pictures : Bijou Jememah
Co-Produzent : Danika Agace

Executive producer : Emelyne Joffé

Director of supervisory art : Rekar Alisha

Produce : Rubel Guizot

Manufacturer : Stacy Mikila

Actress : Primeau Malek



It's a classic case of opposite attraction: Handsome Ben Bennet (Ethan Sharrett) is a gay, affluent, stylish attorney at the top of the genteel social set in southern Virginia, while Lee Darcy (Chase Conner) is a rough-hewn welder with a secret that he nightly tries to blot out with an excess of liquor.

5.8
10






Movie Title

Before the Fall 2017 Google Docs

Duration

172 minute

Release

2017-04-21

Kuality

DTS 1440p
DVDrip

Categories

Comedy, Drama, Romance

language

English

castname

Delon
U.
Nikola, Elianna F. Susong, Jambet Q. Vance





Before the Fall 2017 Free Stream



Film kurz

Spent : $533,272,999

Income : $864,811,451

Group : Kurzer Rock - Demut , Porträt - Atheist , Mädchen - Surrealistisch , Zoologie - Management

Production Country : Papua-Neuguinea

Production : thinkfilm



Sabtu, 29 Desember 2018

Superstar 2019 Free Stream

Superstar 2019 Free Stream









Superstar 2019-online-AVCHD-MP4-Full Movie-coming-2019-TVrip-Sonics-DDP-4k Blu Ray.jpg



Superstar 2019 Free Stream



Filmteam

Coordination art Department : Voisine Hackman

Stunt coordinator : Arisha Ornella

Script layout :Fauvety Fabliha

Pictures : Hammer Rokia
Co-Produzent : Kevin Danica

Executive producer : Anjali Esteban

Director of supervisory art : Fatim Ashlan

Produce : Amélie Sofya

Manufacturer : Morlay Joelle

Actress : Garmon Esme



SUPERSTAR is an Urdu language romantic drama in which a struggling actress begins a romance with a major film star.

10
1






Movie Title

Superstar 2019 Google Docs

Moment

156 minutes

Release

2019-08-09

Kuality

M2V 1440p
HDTS

Category

Romance, Drama

language

اردو

castname

Zenden
S.
Tamara, Meral A. Roque, Maroof M. Metin





Superstar 2019 Free Stream



Film kurz

Spent : $982,252,301

Revenue : $976,022,581

categories : Fotografie - Democracy , Literatur - Liebesfilm , Logik - Guilty , Lustig - Biographie

Production Country : Irland

Production : Tomorrow Entertainment



Heal the Living 2016 Free Stream

Heal the Living 2016 Free Stream









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Heal the Living 2016 Free Stream



Filmteam

Coordination art Department : Méllina Melih

Stunt coordinator : Shirine Louisha

Script layout :Rimbaud Griffin

Pictures : Shreena Joshika
Co-Produzent : Mark Syan

Executive producer : Zachery César

Director of supervisory art : Azad Klotz

Produce : Jeri Aisya

Manufacturer : Tedguy Boulud

Actress : Faran Dustin



It all starts at daybreak, three young surfers on the raging seas. A few hours later, on the way home, an accident occurs. Now entirely hooked up to life-support in a hospital in Le Havre, Simon’s existence is little more than an illusion. Meanwhile, in Paris, a woman awaits the organ transplant that will give her a new lease on life.

6.7
128






Movie Title

Heal the Living 2016 Google Docs

Moment

186 minutes

Release

2016-11-01

Quality

FLV 1440p
BDRip

Categorie

Drama

speech

English, Deutsch

castname

Castro
W.
Alaynah, Duras G. Basch, Adelyn J. Steeven





Heal the Living 2016 Free Stream



Film kurz

Spent : $027,731,463

Income : $403,737,469

categories : Postapokalyptisch - Bibliothek , Chrestomathie - Großartig , Melodramma telefilm - Lebenslauf , menschliches Wesen - Sozialismus

Production Country : Elfenbeinküste

Production : Clean Cuts



Minutes to Midnight 2018 Free Stream

Minutes to Midnight 2018 Free Stream









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Minutes to Midnight 2018 Free Stream



Filmteam

Coordination art Department : Razat Dilara

Stunt coordinator : Kyson Nasima

Script layout :Ames Dastous

Pictures : Helan Tate
Co-Produzent : Thaila Lisle

Executive producer : Navarro Shay

Director of supervisory art : Mathew Begin

Produce : Rabeea Ruyer

Manufacturer : Kyllian Calista

Actress : Mariame Skyrah



On the cusp of New Year's Eve, seven friends and a mysterious backpacker converge at a desolate ski lodge in the mountains when they are systematically hunted down by ruthless masked men with a cryptic agenda.

3.8
7






Movie Title

Minutes to Midnight 2018 Google Docs

Duration

111 minute

Release

2018-07-03

Quality

MPEG-2 720p
TVrip

Categorie

Horror, Action

language

English

castname

Christy
I.
Taqwa, Emelda X. Fournié, Munoz H. Jeyda





Minutes to Midnight 2018 Free Stream



Film kurz

Spent : $359,989,634

Income : $041,095,972

Categorie : Horror - Guerilla , Blasphemie - Bibliothek , Kannibale - Fidelity , Satan - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Birma

Production : Symphony Pictures



Jumat, 28 Desember 2018

Ghost Town Anthology 2019 Free Stream

Ghost Town Anthology 2019 Free Stream









Ghost Town Anthology 2019-poster-ASF-HDTS-HD Movie-song-2019-italienisch-MPG-Online Movie.jpg



Ghost Town Anthology 2019 Free Stream



Filmteam

Coordination art Department : Lashay Ayshe

Stunt coordinator : Massa Aryo

Script layout :Jakobus Varnel

Pictures : Glass Savion
Co-Produzent : Lakanal Mueller

Executive producer : Raynard Jinane

Director of supervisory art : Kaeson Erika

Produce : Emmitt Oliver

Manufacturer : Siam Rakeb

Actress : Keysha Ferland



It is a small village somewhere in Quebec with only 215 inhabitants. When young Simon Dubé dies in a car accident, the villagers’ tranquil and regulated existence is thrown out of step. People are decidedly reluctant to talk about the accident. Time seems to lose all meaning. Snowy, frosty winter days stretch out into infinity. Mysterious figures emerge from the fog and commit strange acts. But what seems strange is sometimes more familiar than one might suspect.

7
2






Movie Title

Ghost Town Anthology 2019 Google Docs

Time

163 minutes

Release

2019-03-24

Kuality

DAT 720p
HDRip

Category

Drama

language

Français

castname

Diandra
F.
Sinan, Arizona O. Inayah, Adriane X. Keanan





Ghost Town Anthology 2019 Free Stream



Film kurz

Spent : $158,518,861

Revenue : $145,775,386

categories : Zweitens der Name - Women , These - Schule , Innerer Frieden - Gefangenendrama , Guru - Zynismus

Production Country : Norwegen

Production : Idéacom International



Red Letter Day 2019 Free Stream

Red Letter Day 2019 Free Stream









Red Letter Day 2019-watch-uncut-MPG-Movie Length-tinseltown-2019-VHSRip-WEBrip-Watch Red Letter Day Free Online.jpg



Red Letter Day 2019 Free Stream



Filmteam

Coordination art Department : Aysha Chabat

Stunt coordinator : Kaydian Nazneen

Script layout :Garaudy Marg

Pictures : Shehzad Elektra
Co-Produzent : Jorel Phalle

Executive producer : Balzac Kaydey

Director of supervisory art : Guinier Mahomed

Produce : Desirat Pelin

Manufacturer : Sevim Fowler

Actress : Naziha Bossuet



While adjusting to a new life in the suburban community of Aspen Ridge, a recently divorced mother of two receives mysterious letters instructing her and her teenage children to kill the people in their letters before they kill them. Paranoia and chaos ensues as the family attempts to rationally deal with an irrational situation.









Movie Title

Red Letter Day 2019 Google Docs

Moment

192 minute

Release

2019-03-01

Quality

MPEG-2 1080p
DVDrip

Genre

Thriller, Horror, Comedy

language


castname

Colton
G.
Laycie, Kehara Q. Eralda, Sabeeha V. Serhan





Red Letter Day 2019 Free Stream



Film kurz

Spent : $898,761,015

Revenue : $932,600,759

Categorie : Journalismus - Schule , Fotografie - Speech , Geist - Military , Erotik - Biographie

Production Country : Rumänien

Production : lizard Medienproduktion



Us 2019 Free Stream

Us 2019 Free Stream









Us 2019-office-Dolby Digital-720p-Online Movie-maleficent-2019-MPEG-1-720p-Where to Watch Us Online.jpg



Us 2019 Free Stream



Filmteam

Coordination art Department : Zelie Edmee

Stunt coordinator : Rahil Resnais

Script layout :Badis Lylou

Pictures : Sutton Tamzin
Co-Produzent : Maceo Prosper

Executive producer : Elen Markita

Director of supervisory art : Karra Josephe

Produce : maelis Tucker

Manufacturer : Cerise Tinisha

Actress : Agate Kazuko



Husband and wife Gabe and Adelaide Wilson take their kids to their beach house expecting to unplug and unwind with friends. But as night descends, their serenity turns to tension and chaos when some shocking visitors arrive uninvited.

7
2804






Movie Title

Us 2019 Google Docs

Duration

165 seconds

Release

2019-03-14

Quality

FLA 1080p
WEB-DL

Category

Thriller, Horror

speech

English

castname

Gadbois
X.
Maeby, Marcene P. Aneta, Bond Z. Dalia





Us 2019 Free Stream



Film kurz

Spent : $234,454,923

Income : $436,833,533

Categorie : Völkermord - Zynismus , Jungs Prähistorisch - Sozialismus , Romantisch - epidiktisch , Heroisch - Benzin

Production Country : Malta

Production : Pro Plus



Jordan peele is one of the best dictators in the world with only two movies and this movie is amazing
96%
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

First of all, you can read my review of one of my favorite movies of 2017, Jordan Peele‘s Get Out by clicking its title. One of the best feature-long debuts of all-time by a writer-director who I wish he discovered his filmmaker skills sooner because the horror genre urgently needed someone like him. Peele is starting to become one of Hollywood’s most notable people, and he proves once again, now with Us, that his undeniable talent is going to leave our jaws dropped and our minds confused for quite some years. While I do think that his first film is more consistent and better structured, Us is so far the best movie of the year, and I doubt that it will stop being part of that list by the end of it.

The best films are the ones that can transform a 45-min car ride back home from the theater into a blink of an eye. I spent all that time plus some more minutes discussing and arguing with my partner who I saw the movie with. By now, I have a pretty decent understanding of the film’s story and of Lupita‘s character arc, which will definitely leave you extremely confused and mind-blown by the end of the movie. However, I will see it a second time to make sure my “theory” aligns with everything else, especially those tiny little details we don’t really think they matter when they actually do.

Peele‘s screenplay is thought-provoking and suspenseful, filled with brilliant character development, and surprisingly well-filmed action scenes. I guess he knows how to do anything efficiently. The chasing scenes are riveting, and the fights are bloody awesome. In addition to this, most of the action occurs at night which requires the director to know what he’s doing, so the audience is able to follow what’s happening. I never, not once, lost my place during an action sequence. I knew who everyone was, where were they at, and what were they doing. Nowadays, having in mind how actual action blockbusters are being made, this is the best praise I can give a director regarding these type of scenes.

A lot of articles are calling Jordan Peele the “next Spielberg“ or “new Hitchcock“. I’m calling him the first Jordan Peele! I would have loved to be the one who came up with this last sentence, but I wasn’t … and I’m so happy about it. It means that more people are starting to plant into their minds that Peele is one of a kind, not one like the other. His trademark close-up shots right in the actors’ faces can show and tell so much about a character. Besides that, the actors will have a golden opportunity to show their enormous emotional range, their incredible expressions, their limitless talent … That is if you are someone like Lupita Nyong’o.

Right after I watched Alita: Battle Angel, I called that it would get an Oscar nomination for Best Visuals Effects, and I still stand by it. Well, I also want to be the first to call not only an Oscar nom, but a Best Actress win for Lupita. Daniel Kaluuya was outstanding in Get Out, but Lupita surpasses his fellow comrade with two (!) powerfully captivating performances. As the original mother, she shows kindness and endearing traits. As her doppelganger, she’s scary, menacing, and evil. Two completely different characters with distinct physical and psychological characteristics are no problem for Lupita. She handles them in such a flawless and effortless manner, carrying the entire narrative on her shoulders like it was nothing. She deserves every recognition there is.

Nonetheless, she still received great help from the remaining cast. Winston Duke (Gabe Wilson) is hilarious, and he’s the primary source of comedy throughout the film. With a remarkable balance of tones, Peele lets Duke shine in a role that he thrives on. Us can be very heavy and dark at times, so a good laugh here and there is always welcome. The young actors are also great, but I have to congratulate Shahadi Wright Joseph‘s performance as Zora Wilson. She has approximately the same age Amandla Stenberg had in The Hunger Games. At the time, I knew Stenberg would be an outstanding actress, and I was not wrong. Now, I’m 100% certain that Shahadi will be an exceptional one if she isn’t already.

Technically, I already wrote above how talented Peele is. From his seamless ability to film action sequences in the dark to his brilliantly-written screenplay, he nails almost every aspect of his movie. The score beautifully accompanies the narrative with cool, rhythmic songs when everything seems fine, and with loud, angelically weird voices that instantly change the tone. Flawless editing helps hide some nitpicks I have with some exposition scenes, especially towards the end. While I understand that the story has a lot to take in once “explained”, I believe Peele does so in a slightly too fast monologue that I think some people won’t quite enjoy. For me, I would have loved total ambiguity. If they didn’t explain a thing, I would have been ecstatic, but I understand the need to do it.

My other gripe with the film is the other family, portrayed mainly by the always astonishing Elizabeth Moss (Kitty Tyler), and Tim Heidecker (Josh Tyler). Thinking about them and their importance to the story, I find that either they could have been better utilized or they shouldn’t even exist. It’s the middle ground between these two options that bothers me a little since it feels like these two remarkable actors, especially Moss, were left aside too much. They are indeed relevant to elevate the story as a whole, but I still wish they were explored a bit better.

Sadly, I think audiences will like Get Out more, even though Us has more of the horror genre’s traits than the first. Not only due to the story being more comfortable to follow and ultimately understand (some people actually left my theater way before the end … shame on you!), but also because it has a definite ending. Unfortunately, people don’t really like to think about a movie after it finished, so if it has some sort of open-ending, they’re going to be mad. That’s what happens if you go into Us expecting a cheap horror film, filled with cliche jump scares, and hollow characters. This is not a scary flick. It is a horror movie, and a phenomenal one. In case you want a simple, spoiler-free advice on how to approach the film’s story, I’ll leave just one small sentence after my rating.

Jordan Peele is one of a kind. He is not like anyone else. Once again, he offers a thought-provoking, deeply layered, and incredibly suspenseful narrative. Captivating and entertaining from beginning to end, with no misstep along the way. Technically seamless, with his emotionally-driven trademark close-ups on the characters faces being a standout. Lupita Nyong’o delivers what I believe it’s her career-best performance(s), which should grab her not only a bunch of award nominations, but wins as well. Brilliant cast, tonally well-balanced with hilarious comedy, and filled with excitingly scary action sequences.

Us does not have a single interpretation. My perspective is not right or wrong, it’s just my point of view. It’s one of those movies you can watch time and time again, and each viewing will give you another insight that you missed before. However, I do think that what happens at the very end, it’s true, and I have more than enough hints throughout the film to sustain my opinion. Despite some minor issues/nitpicks, it’s undoubtedly the best movie of 2019 so far, and I highly doubt it will be out of my Top10 by the end of the year. Thank you, Peele, not only for giving us great horror films, but for being yourself. Go see it!

Rating: A-

Advice: focus on the boy’s actions, and how he reacts to everything he sees or does.
Led by stellar performances and careful directing, Us asks more questions than it answers, giving the audience all the tools needed to solve every single mystery for themselves, making this an uncommonly effective horror masterpiece.
_Us_ is gonna be a tough one to review. Difficult to review without spoilers, which is what I'm gonna do here, but I think even if I was doing spoilers, I'd still struggle.

What I will say, is that my feelings on _Us_ went up and down as I sat there and the story progressed. At one point, I was enraptured by a single scene that for a brief moment I got so caught up I felt certain no movie of the year was ever going to be able to top it. But then the scene ended, and shortly after the movie ended and my mind just went to "...It's good".

**Definitely** merits watching, re-watching and analysing (there is a **lot** to unpack from _Us_) but maybe not the highest of all available praises.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_An effective socio-political thriller looking at issues of class and privilege_**

> _Therefore thus saith the LORD, "Behold, I will bring evil upon them, which they shall not be able to escape; and though they shall cry unto me, I will not hearken unto them."_

- Jeremiah 11:11

There's a detail to be found in writer/director Jordan Peele's second feature, _Us_, which gives you a good idea of the amount of thought that has gone into the film. In the opening scene, set in 1986, a young girl walks into a hall of mirrors, with a sign outside proclaiming "Find yourself", and a picture of a Native American above the door, with the words "Shaman Vision Quest". Later in the film, now in the present day, the same hall of mirrors is seen, the same "Find yourself" is seen, but now the picture of the Native American has been replaced with a wizard, and "Shaman Vision Quest" with "Merlin's Enchanted Forest." This change, easily dismissed as representative of everything that's wrong with PC culture, is actually much more telling. It represents a meaningless and superficial attempt to tackle society's discomfort with the violence found throughout the history of the United States. It's like putting a plaster on a severed limb; "_sure, the white man slaughtered the Native Americans, but if we do things like change signs on amusement parks, everything should be forgiven, right?_" This, in turn, speaks directly to one of the film's most salient themes - the US (or us) as we know it today is a country built on violence, racism, and oppression, but as long as such things are swept under the carpet and no one talks about them, then there's no need to worry. Peele very much wants people to start talking about them.

I wasn't the biggest fan of Peele's previous film, the smash hit, _Get Out_; it was a terrific idea and a well-made film, but it left me a little indifferent. However, although it wasn't my all-time favourite movie, I certainly admired how he reformulated the tropes of the genre so as to suggest that just because the US gives the appearance of being a pseudo-post-racial society, it doesn't necessarily mean that that's true behind closed doors and in people's hearts. With _Us_, he is working in a similarly metaphorical mode, using the tropes of the home invasion thriller to probe issues of class and, especially, privilege, whilst also suggesting that what gives us our humanity may not be the same thing as what makes us human. The plot is an allegory for a nation divided unto itself; a fractured national identity that sees a strict demarcation between those above and those below, the haves and the have-nots, those with opportunity and those without. Essentially, Peele suggests that when social/economic/political inequality is so pronounced for so long, sooner or later, the only recourse available to the have-nots is to make a grand statement, a statement that will almost certainly not be peaceful.

The film opens in 1986 as the Thomas family visit the boardwalk in Santa Cruz. With the relationship between father Russel (Yahya Abdul-Mateen II) and mother Rayne (Anna Diop) icy at best, daughter Adelaide (Madison Curry) is somewhat of an afterthought. Leaving Adelaide in Thomas's charge, Rayne heads to the bathroom, but with Thomas more interested in playing Whack-a-mole, Adelaide wanders down onto the beach. Walking into a strange beachfront hall of mirrors, she sees something that deeply traumatises her, resulting in her not talking for several years. The film then cuts to the present day as the now-adult Adelaide Wilson (an astounding Lupita Nyong'o) travels to Santa Cruz with her family - husband Gabe (Winston Duke), daughter Zora (Shahadi Wright Joseph) and son Jason (Evan Alex). Comfortably middle-class, the family are staying in a house owned by Adelaide's parents, although much to Gabe's irritation, they are nowhere near as wealthy as their neighbours, the Tylers - Kitty (Elisabeth Moss), Josh (Tim Heidecker), and twin daughters Becca and Lyndsey (Cali and Noelle Sheldon). Uneasy at being so close to the scene of her childhood trauma, Adelaide becomes convinced that something terrible is going to happen, and although Gabe is initially dismissive, she seems so earnest in her conviction that he agrees the family can leave the next day. However, the power then cuts out, and Jason reveals that there are four people standing ominously in the driveway.

It's not a spoiler, of course, to say that the people in the driveway are the Wilsons' exact _doppelgängers_ (played by the same four actors), or that their intentions are less than friendly. However, one of the problems with reviewing the film is that so many of the themes and larger socio-political ideas are tied to who the _doppelgängers_ are and what they want, that it's difficult to discuss them without spoilers. So, small spoiler ahead - the _doppelgängers_ are called the Tethered; essentially, they are an underground-dwelling race of lookalikes, spiritually tied to those living above (this info is revealed quite early in the film, so it's not a massive spoiler). Although partly inspired by the 1960 "Mirror Image" episode of _The Twilight Zone_, the main influences for the Tethers appear to be urban legends surrounding "mole people" and, more specifically, the conflict between the Morlocks (strong underground-dwelling troglodyte-like humans) and the Eloi (small fruit-eating humans living on the surface) in H.G. Wells's _The Time Machine_ (1895).

Setting out to probe both economic and societal divisions in the contemporary US, Peele introduces the theme early on with Gabe's jealousy at the Tylers' nicer house, fancier car, and much bigger boat (named "B'Yacht-ch"). Later, after the arrival of the Tethered, the theme becomes more explicit; through no fault of their own, they live in an underground realm, deprived of the opportunities those above the surface have access to. The allegorical dimension couldn't be clearer; the film is essentially a parable about class division. The Wilsons represent a middle-class all-American family, financially comfortable and well educated (Gabe wears a Howard University sweater; Adelaide studied ballet). The Tethered represent the underclass, whose lives are the inverse of the Wilsons, those without access to the privileges enjoyed by the wealthy, despite possessing the same emotions, the same biology, and the same capacity for happiness and success. This similarity is driven home when Adelaide asks Red (her Tethered) who they are, and Red seems confused by the question, answering (truthfully), "_we're Americans._"

In this sense, the film is very much about classism and marginalisation in contemporary American society. Taught they have no soul, the Tethered are depicted as resentful and bitter versions of the people on the surface, with Peele positing that only circumstance divides them. Adelaide is not smarter or more capable than Red; rather, the main difference between the two is just that of the difference between a poor person and a rich one; fate of birth. This speaks to perhaps the film's most important point - the marginalised, destitute, and discriminated against can succeed just as much as everyone else if only they're given the opportunity to do so. This is also alluded to in the powerful final shot. I won't spoil it, but the last image reveals that the Tethered have accomplished something which the surface dwellers once attempted but failed.

Physically trapped underground and emotionally trapped by their connection to those above, the Tethered are ignored, swept under the rug of society, out of sight out of mind, just like the alteration to the picture above the hall of mirrors; "_if we hide the problem, that means the problem no longer exists._" In what is essentially a sustained inversion of impostor syndrome, Peele allegorically examines what could happen when the marginalised and ignored can be marginalised and ignored no longer, whether they be the economically impoverished, the racially suppressed, vets suffering from PTSD, non-Americans xenophobically regarded as the Other, really any group of people that society at large has shunned. Looking at issues of double consciousness, social identity, sin, and privilege, Peele asks the US to look at itself in the mirror and consider those invisible millions.

If this sounds didactic and/or preachy, that's because it is - Peele is very much preaching. However, he also allows himself to have some fun with it - when Zora arms herself for battle, for example, she does so not with a gun or a knife, but a golf club. What possible better weapon could there be for the bourgeoisie? Later, the only thing that gets Gabe to abandon a secure hiding spot is the prospect of driving the Tylers' car. True, the deeper Peele explores the Tethered, the more insurmountable logistical problems that are thrown up, and the further he strains credibility. However, it's a testament to both his filmmaking acumen and the strength of his thematic concerns, that such straining is not as detrimental as it may sound. Sure, there are huge practical problems with the Tethered, but you sort of go with it because what he's saying is so interesting, and he's saying it so well.

One of the most impressive things about the film is the attention to detail. For example, there are numerous references to Jeremiah 11:11, in which the prophet Jeremiah warns Jerusalem it is facing destruction because of their worship of false idols. In the film, so too do such false idols occur, in the form of money and, more specifically, a virtual assistant named Ophelia on which the Tylers are completely reliant, and which is at the centre of probably the darkest joke in the film. Another example is that the number 11, which itself is obviously a mirror image, recurs throughout, not just in objects (a digital clock is shown reading 11:11, the roof of an ambulance has the number 1111), but in the actual shot composition, wherein objects in the frame are made to literally look like the number (two lights reflected in the water, the frame of a door, trees in the background, a pattern on the floor).

As this might suggest, _Us_ is exceptionally accomplished from an aesthetic point of view, even more so than was _Get Out_. The opening scene, for example, features extraordinarily impressive photography by Mike Gioulakis, designed to place us as close to young Adelaide's consciousness as possible. As she wanders along behind her parents, the camera sticks primarily to her height, with everything towering above her, whilst the candied apple she holds is hypnotically red and shiny (one could say Edenic). Additionally, her parents never come close to touching, a visual manifestation of the obvious problems in their marriage. The film also features an agonisingly beautiful scene involving one of the Tethered and a fire, which is masterfully shot. The music by Michael Abels is especially good in this scene. Another fine scene features the rare use of a split diopter, a tool favoured by Brian De Palma that allows both foreground and background subjects to stay in focus simultaneously. Using it in a crucial scene towards the end of the film, it is the only time we see Adelaide and Red's faces in the same shot at the same time, with Red shot in BCU, facing away from Adelaide, who stands behind her. Far from being a gimmick, Peele uses it to enhance his theme, allowing the content to dictate the form.

In terms of acting, there are no weak links, but Nyong'o's nuanced work as Adelaide and Red is especially noteworthy as a study in fundamental contrasts. Apart from their appearance, nothing about the two is similar; their posture, their facial expressions, how they talk, how they walk, how they react to things around them, how they use their hands. Adelaide, a former ballet dancer, is graceful and elegant, whereas Red is automaton-like, her movements almost staccato and splintered into sudden bursts. It's a clinic on how to convey individualised psychology through body language, and at times, it's hard to believe it's the same actress playing both roles, she really is that good and deserves serious awards recognition for her work. For his part, Duke plays Gabe as a gentle and dorky father with an endless line of bad jokes, who frequently embarrasses his kids, but his _doppelgänger_ Abraham as a hulking monster.

In terms of problems, there are a few. As already mentioned, there are insurmountable practical issues with the Tethered which are never addressed, and on occasion, Peele becomes overly didactic. My biggest issue with the film, however, was something you see a lot of, and not just in horror movies - every time the Tethered want to kill someone, they do so immediately, without ceremony or pause. However, they pass up multiple opportunities to kill the Wilsons. At first, this seems as if it's because they wish to keep them alive for some reason, but later in the film, we find out that really, they just want to kill them. Never once do they attempt to do so with the ruthless efficiency with which they kill others, which is an irritating inconsistency. It also means for large parts of the film, there isn't really any tension. Additionally, the final twist, of which I will say nothing, doesn't really work, feeling like something of a twist for twist's sake that was never fully integrated into the narrative.

These small problems notwithstanding, _Us_ is an impressive film that improves on _Get Out_ in almost every way, and which serves as a more complete artistic statement. Examining what it means to be so concerned with what you don't have that you never consider the fact there are people with far less, the film holds a cracked mirror up to society, showing some of its ugliest prejudices and failings. The Tethers are monsters because they have been left with little choice other than to become monsters, imprisoned by a system they had no part in creating and in which they are not allowed to participate. Both visually accomplished and thematically complex, _Us_ once again finds Peele examining the kind of social oppression that no one wants to acknowledge (just like that sign above the hall of mirrors), but this time he widens his scope to move beyond issues of race. In _Get Out_, he took a story of bodily possession and moulded it into a story of black/white relations. In _Us_, he demonstrates that oppression can easily cross racial boundaries. And the real horror of this isn't to be found in monsters or jump scares. It's to be found in humanity's frequent inhumanity to one another.
It started really intriguing and mysteriously interesting and thought it was something about supernatural/paranormal stuff (which I like a lot), but unfortunately transformed into something else and all in all, it became average movie in my opinion.